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First up: spoiler alert. Don’t read this if you haven’t watched the movie yet.

For you others, what did you think? Here’s my two cents.

Edit: This is turning out to be a long post. As a mini table of contents, I talk about plot devices, scientific accuracy, and finally draw connections to how this movie continues the Batman villain theme.


Fair warning, I analyse texts based on two things: scientific accuracy and quality as a written story. Yes, state of the art cinematic techniques, blah blah. Let’s get to the real stuff that you can’t just do with money.

The movie itself was more or less what I expected. Typical Bond movie sans the old school high tech gadgetry (a bit of an oxymoron there?) but with good pace due mostly to cinematography. They did do a cheeky reference to the new Bond movies’ lack of gadgets, perhaps in response to fan criticism: “Were you expecting an exploding pen? We don’t do that stuff any more”. The movie seems to have tried to introduce gadgetry a bit more, especially in the final scene where they rig up a manor with booby traps. Not really “gadgets” in the old school sense, but I think there was still an intentional theme of “creative ways to make tools that kill stuff”. No, it was quite alright and enjoyable to watch. However, put that aside and we’ve got a few problems.

First of all, the story. Unfortunately, this movie just confirms the declining quality of modern day writers. Out of Daniel Craig’s Bond movies, Casino Royale had the best storyline. It was concise and did not overstep itself. It was coherent, had its twists and climaxes, and finished very tidily. I well planned out and executed story. Next was Quantum of Solace, the complete opposite. It bit off more than it could chew, setting the scene for a previously unheard of organisation that had infiltrated everything and was omnipotently powerful. It introduced so much: political warfare, battle over resources, and the concept of “you never know who you can trust”. Then it realised that it couldn’t finish this in one movie so it went and crapped on itself by skipping ahead very rapidly, getting very messy, and then finishing and never again mentioning this organisation despite how amazingly powerful it is. All he did was kill one member. Talk about anti-climax. The difference? Casino Royale is an old storyline. It was remade. Old writers are better at their craft. I think I touched on this in my rant on recently published books; perhaps I’m the victim of a changing society but social pressures and the drive to make money (off the mainstream, because that’s where money is) has led to a lot of shoddy writing these days, from games, to books, to movies, and even to shop signs. Regardless, it’s a fact that writers are different these days. I just think the new ones are a disappointment.

Feel free to agree or disagree with me on that. It’s an opinion and a sentiment I’m sure many older writers and readers will agree on.

Back to Skyfall. The story was better than Quantum of Solace. At least it wrapped up. However, there wasn’t that much substance to it and unfortunately, there were a lot of logic farts and stupid plot devices. Before I start getting scientific up in here let’s start from the beginning. Moneypenny is ordered to take a shot at the beginning, which hits Bond instead of the target. Ok, fair enough. Then she spends the next five seconds staring at Bond’s falling body and the escaping target. Hmm … TAKE ANOTHER GODDAMN SHOT. Ok, maybe if it was a flintlock with a single round in it, but no, she’s clearly holding an automatic weapon. She could have held the trigger down since she already hit Bond anyway. So the first plot device of this movie is a huge fuckup (pardon the language but that’s the best word to describe it), to which the rest of the movie is dedicated to fixing.

Now let’s get a bit scientific. There were a lot of things, as usual, that Hollywood decided didn’t have to follow physics. Many of these can be ignored because it’s an action flick. Fair enough. Causing an entire island to be abandoned due to “hacking” and spreading a rumour about a chemical leak? Ok. Let’s ignore the fact that stuff like that is usually checked. Like, the government sends in dudes in hazmat suits to assess if the leakage will affect any other areas. But ok, let’s ignore that. Then the computer network he has set up there. Fair enough, he managed to buy and ship all that gear to the island, supply the entire island with power and get internet access without anyone realising “hold on, that place is meant to be abandoned, why is there so much electrical power going into the place?”; let’s forget all that.

But the hacking thing? Again, I understand you can make money off mainstream audiences that don’t know any better but no, hacking is not some embodiment of god in your computer screen. You can’t just “click and it’s done”. So much of the movie was based on hacking and none of it was feasible. The more tech savvy of you lot will have been facepalming during the hacking scenes because they were so rife with errors. Normally, I’d let it slide but because the movie literally hinged on hacking, I had to bring it up. It’s practically a deus ex machina in that it was the excuse for several plot points.

Oh and, you know how the hero always jumps aside as fire is shooting down a tunnel? Yeah, it doesn’t work that way. Fire “travels” by burning oxygen. You can jump anywhere you want, it’s going to follow you. And after you survive, there’ll be no oxygen in the tunnels for a while, depending on how deep, twisting, etc. the tunnels are. I see this so much in action movies and it’s beginning to be annoying.

Now, introducing the villain, Silva:

Skyfall trailer pic 7

Here’s where things get interesting. It seems Batman has kicked off a new era of villains. The psychotic, chaotic villain with questionable goals and even more questionable sanity is becoming popular. You know when something is popular when others try to copy it. By the way, I say chaotic intentionally – refer to an old post of mine about why we love villains so much.

Let me just get one last scientific pain the ass out of the way. Cyanide does not do that to you. I’m assuming you’ve watched the movie if you’ve read to this point, but to clarify, he pulls out part of his jaw and said the cyanide did that to him. No, cyanide is a form of a toxic inhalant. It can be administered in a variety of ways, but inhalation is the main issue. Further, it causes cell mortality via prevention of cell respiration. It’s not acid, it can’t melt your face off. Hydrogen cyanide does have a boiling point at room temperature but trust me, the bones in your jaw and skull can withstand that kind of heat. Again, it will not cause whatever the hell he had in the movie. Nor would you be likely to survive such a thing, or maintain any facial function if it did happen.

There was a lot of emphasis in the movie on his psychological state. Feelings of abandonment and suffering were imparted, though perhaps not enough to create an optimal level of audience sympathy, but there was that concept that he wasn’t completely wrong. His random acts of terror and being “one step ahead” was very reminiscent of the Joker, and the strangely lucid insanity only added to that effect. However, it did not achieve the same effects as the Joker because of a variety of reasons.

He won’t be a villain to remember, nor will the movie, but regardless, it was interesting to take note of how trends in media and texts are moving. This might be the period of amazing villains. Certainly, the villain demonstrated more character than Bond. Bond is the typical rogue hero. His vocabulary seems to be constituted entirely of snappy one-liners and his emotional range seems stuck on serious, cheeky and badass. Fair enough, but that makes for a very two-dimensional character. What I’m getting at is that heroes are very restricted but villains have unlimited potential. Again, you’ll have to read the article on villains to understand what I’m referring to. It’s an old article and messy. All my long posts are messy because I write what comes to mind so it tends to be disorganised collections of thoughts.

Anyway, enjoyable movie and it achieved it’s desired results, though to what degree is questionable. I still maintain that Casino Royale was the best of the three, mainly due to the strong storyline and just how “clean” it felt to watch.

This is for katlaire who requested I make this post. As promised, this will offend some die-hard fans so if you can’t stomach objective criticism, you’re better off not venturing down this dark alley.

I actually had a hard time coming up with a title for this post because I don’t want it to be just a rant on crappy books that get published. Ranting would imply a subjective opinion. I like to be a coldly logical person with an objective view, so instead of ranting I’m going to mention a few books (all of which were published by a proper publishing house) and analyse why they were successful and whether they deserved to be published. To keep things orderly, I’ll divide this post by book titles, but I’m only going to go in-depth with Twilight. The other books I’ll mention are just for comparison (some of them also suck).


This is, of course, borderline ranting about some of the junk that’s out there, and how could anyone do that without mentioning a crowd favourite? Now it’s Twilight’s turn to shine (or sparkle), something the writing in this book never did.

Honestly, I haven’t read any of the books cover to cover (it’s unbearable even to think about it). I have watched some of the movies though (not my choice) and have done some research into the matter so I don’t end up giving an uninformed analysis. Based on the examples I’ve seen and the common consensus of the writing world and my own opinion, this book is (by writing standards) absolutely atrocious. There is, however, a valid reason for why it became popular, which I will mention later. I’d just like to point out a famous quote that’s relevant here:

“Harry Potter is all about confronting fears, finding inner strength, and doing what is right in the face of adversity. Twilight is about how important it is to have a boyfriend.”

Many of you think Stephen King made this quote but he didn’t. This quote has never been sourced back to him and based on a quick Google search, it’s quite obvious the originator of this quote is Robin Browne (who was quoted by Andrew Futral in a tumblr post and later confirmed that he got the quote from Browne). However, despite not coming up with this quote, Stephen King is quite a vocal critic of Twilight. Here’s a quote he actually did say when asked to compare Harry Potter and Twilight (during an interview):

“The real difference is that Jo Rowling is a terrific writer and Stephanie Meyer can’t write worth a darn. She’s not very good.”

I disagree slightly about Rowling being “terrific” but I’ll get to that in the Harry Potter section.

Anyway, let’s get to the point shall we? Why is Twilight such garbage? Well, for one it’s plagued with purple prose and a huge lack of pace and excitement. Twilight is something that you lose interest in the moment you gain a shred of maturity. In fact, the series would never have survived if it weren’t for the “hot guys” acting in the movies, because it’s a terrible book/movie series.

Not only is Bella a Mary Sue (more on this later), the plot is focused around the most mundane and ridiculous stuff that only a narcissistic pre-pubescent girl would find interesting. Ohhhh noooo, which of these two mythical hunks is Bella going to pick? Ohhhh noooo, should she become a vampire to be with Edward? Ohhh noooo, Bella has special smelling blood so there’s a sexy feeling of danger whenever she’s around vampires.

Wow, seriously? You have vampires and werewolves in an eternal conflict, living amongst regular humans whilst waging their silent war on each other and the only thing you can focus on is the most prosaic crap about Bella? That’s like Homer writing about two mud-crabs fighting over a rock whilst the Battle of Troy was raging in the background. In fact, this is a particularly apt analogy (that I came up with on the spot) because the Battle of Troy had a love triangle at its very heart too, except look at the difference; Homer’s work has gone down as one of the greatest love stories ever written and has convinced historians and archaeologists to spend their entire lives’ work dedicated to trying to prove the story true.

Now, back to Bella. I mentioned she was a Mary Sue. I can’t be bothered explaining what this is again, so I’m going to put an article on it in the English techniques section later – but I’m sure many people already know the definition. In this case, Bella is a normal girl (albeit with “special smelling blood”) who has the two hottest male characters in the book fighting over her for no apparent reason. Wait, let me recant that. She’s not normal, she’s boring. Not only is she a boring person, she has a horrible, depressive, suicidal, fickle, insecure, narcissistic personality that any real man in the real world would look at and tell both Edward and Jacob “don’t stick your d**k in crazy”. She has absolutely zero redeeming characteristics to make her a likeable person that is in any way deserving of any of the special treatment she is given.

What’s worst though, is that despite being a purple prose (another term I’ll define in English-techniques later on; Google it if you don’t know) infested text, there is a suspicious lack of description regarding Bella – the main character. Want to know why? Because Bella is not a real character – she’s an insertion of Stephanie Meyer’s own personality and is her own pathetic little “John Everyman” for insecure girls. She is basically a gaping white blank in the world of her writing so that any other teenage girl with the same insecurities and personality flaws can just insert themselves into Bella’s place and fantasise about being popular and special for no reason at all. And I can’t stress enough how much this series is focused on this “love triangle” – she even butchered the concept of vampires to “emphasise” how good looking Edward was so that it would be all the more desirable for any girl who inserted herself into Bella’s shoes. So much for Bram Stoker’s Dracula – a hunter of the night, manipulator of the human heart and a dark, gothic villain whose only weakness were the elements. Move over Dracula, we have good-looking, sparkly playboys to represent vampire-kind now. The only aspect of vampires that Meyer got right was the connection between vampires and female sexuality (as Stoker’s Dracula had a strong underlying message of forbidden sexual tension), but I’m almost certain this was purely by mistake and coincidence.

So why did this book become popular? Well, I’ve already mentioned the reason. The book is a tool for girls to insert themselves into this sexual fantasy of self-importance. Since your teenage years are a tough battle to find self-worth, identity and “love” (or what you think is love and will later learn was something stupid), the book really kicked off. In fact, based purely on the target market (insecure young girls), there was even a bit of a snowball effect in which non-readers were pressured into becoming readers so that they would “fit in”. Kind of sad how youths don’t realise that “fitting in” is the opposite of finding your identity, but that’s just something you’ll have to learn over time.

Because of the above reasons, I don’t blame the publishing company for publishing Twilight. They knew it would make money and they were right. I don’t even blame the readers for supporting such a crappy book. It’s natural to want an escape from reality, and when you’re young and immature, your idea of a perfect roleplay is when you get to be Bella. Don’t worry, as you mature your dreams become bigger and more meaningful.

Harry Potter and the Hunger Games:


These two books are common comparisons with Twilight because they became popular during roughly the same period of time. I’m going to dispel a common misconception right off the bat here. Harry Potter is not the greatest series of books ever written. To be more specific, the first three books were mediocre.

I’m crazy right? I told you I’d offend people. Harry Potter has a huge fan-base of zealous supporters just like Twilight does. There’s a problem with books – usually only the mass marketed, viral books get read and people who don’t read regularly just assume that these are the best books out there. That’s way off the mark. There’s a treasure trove of good books that a lot of people have never heard before. Back to Harry Potter though – the overarching plot for the seven books was very creative and original and unlike Twilight, there were actually morals encouraged by the story. The characters were solid and the main cast was characterised very well.

Why then do I not worship the books? Well, as much of a fan as I am, I have to concede that the first three books are sort of mundane, unexciting and most of all, written poorly. The first book in particular is atrocious. The language and writing style that Rowling uses for The Philosopher’s Stone is something I would expect of a high school student who’s doing badly at English. If you don’t believe me go and read the first three pages of The Philosopher’s Stone and then go and read the first three pages of The Deathly Hallows. There’s a HUGE difference. That’s where I respect Rowling, as I read the Harry Potter series, I can feel her skill as a writer growing. The only other aspect I would have liked her to improve on was the world-building. There was a nice contrast between the Muggle world and the Magical world, but it was focused almost entirely on the same setting. It would have been nice to get more into the politics and the different countries and cities.

Harry Potter was popular for the setting and concept. The writing was not originally great (although it did become good), but the idea of a magical society living amongst us and their fear of a powerful evil wizard who could only be destroyed by an unremarkable young boy is a huge underdog story set in a very interesting world. Not only that, the school environment is a popular because it provides a realistic frame of reference for the audience and is a cultural meme that invokes a wide variety of emotions.

Similarly, the Hunger Games was quite average but was popular because the main character featured a strong female role where the majority of fiction books feature a male in the leading role. The story is not entirely original, being a twist on the ancient Greek myth of Theseus and the Minotaur (I’ve said this before and someone didn’t believe me so you can go Google this yourself – the author said as much herself during an interview). I have nothing against unique twists on existing concepts (as I write high fantasy, I pretty much live by making my own twist on existing concepts), but the point is the strongest feature of the Hunger Games are the characters, and this is why the series became popular – though the plot isn’t bad either.

Sasha and some other book whose name I’ve forgotten:

I’m going to end with another two books that I found were terrible. The first is Sasha – A Trial of Blood and Steel. I saw this in book stores a long time ago and the title caught my attention, so when it became available at my library I borrowed it. Wow, what a disappointment. Sasha is a huge Mary Sue (in the opposite direction of Bella). She’s not only a princess but a master swordswoman too. She’s beautiful and far too strong. The few chapters I read were just her killing people with absolutely no effort and being widely respected and sought after because she’s basically perfect. Boring. Not only that, the pace was inappropriate (butchered by some purple prose at the wrong times) and the plot so mundane that I can’t remember much about it besides that it wasn’t interesting. Maybe the book got better (and come to think of it I may not have started reading from the beginning) but all I know is that this was one of the few fantasy books that I’ve picked up and haven’t finished. Usually, I’ll stick with it until the end.

The book that I forgot was a historical fiction where this girl went back in time to medieval England (I think) and changed history. She brought her taekwondo skills with her and beat down all these fully armed and trained knights, did the sideways monkey dance with the prince and turned out to be a Goddess. I don’t have to make it any clearer – she was a Mary Sue, and as a result I can’t even remember the title of that book. See what bad writing does? Admittedly, the book was a bit interesting at first (she became a Goddess later on), but it wasn’t very accurate for a historical fiction and the main character was ridiculously overpowered.

Anyway, that’s that. I gave a pretty objective analysis of why some popular books are popular, and why some of them are horrible books so this is slightly more informative that a simple rant. Hopefully nobody is too offended that I called out Harry Potter, I admit that I’m a huge fan and it’s one of the few books that I’ve read more than once – so the very fact that I pointed out its flaws should demonstrate that I’m giving impersonal, objective critiques.

I just got back from watching The Dark Knight Rises and was quite happy with it. For a film close to three hours, it didn’t feel tedious or boring (as much as it should have) and was quite exciting throughout. I don’t intend this post to say anything other than the fact that it was an enjoyable watch, and the fact that it wasn’t as good as The Dark Knight, unfortunately. This is going to categorised under English because I’ll mention a few English related writing and film techniques.

There will be no spoilers, I’ll keep this very general so as not to ruin anything. I will hint at things though so, if that bugs you, watch the movie first.


I glimpsed an interesting article a few days ago about this movie being a political message. I disagree, and think this is just another case of people reading too deeply into things to try and sound intelligent. While it is true that the creator of any story will inevitably let their personal ideologies seep into their text, I strongly doubt the movie was meant as a political message. However, I do think there was a strong intent to ground the film in reality – a quick look into the story’s plot devices will find several modern day concerns, such as identity theft, corruption, the income gap, returning power to the people (and taking it away from the wealthy), terrorism, government decisions, “structures as shackles” (you’ll understand this after watching the movie), and even the dangers of nuclear-related energy sources (which, despite the recent Japan scare, is stupid to anybody who knows anything about science – candles have killed more people than nuclear reactors, and nuclear power is the greenest power available to us right now; but that’s another rant). This isn’t a bad thing that Nolan’s done. His film was intended to be very gritty and realist in the first place, and as a writer, I know that grounding things in reality is a fast and effective way to build a connection with your audience. For a movie that was trying to say so much, it needed a fast way for us to care. Unfortunately, it missed a bit in that department.

With the introduction of Catwoman, Bane, Ra’s al Ghul’s child, Robin (you’ll find out who he is at the end), and a whole list of other characters with more minor roles, as well as the reinvention of Batman himself, it was very difficult to make a strong connection to the characters. When comparing this to The Dark Knight, we can see a huge contrast. Those of us who are writers will identify two broad categories of stories: character driven and plot driven. A character driven story depends hugely on the audience’s attachment to the characters, whereas a plot driven story relies on the twists and turns of its plot. These are by no means mutually exclusive, but it is almost always possible to identify which of the two a story most strongly identifies with. The Dark Knight was a film that was stolen by the villain (refer to my post on Villains), the Joker, and in Heath Ledger’s absence we can truly see how much of that story was driven by his amazingly played character. By contrast, The Dark Knight Rises is very plot driven. It feels as if we’re watching a series of exciting events unfurl, but there’s no connection to the characters (at least not as strongly as when the Joker was present). Batman’s character was the strongest emotional connections for the audience, with the fall and rise (hence the title) of his mental state, as well as the rise and immortalisation of the symbol of Batman, but compared to the complex love-hate relationship the audience had with the Joker, it feels weak.

The cinematics and mise-en-scenes were done very well, if a bit cheesy (torn US flag wafting in the breeze), and the visual effects really added to the excitement of the story. I’m willing to bet that watching it in the cinemas will be a completely different experience to watching it at home.

The little plot twist at the end feels a bit too sudden for my liking. They chose a good character to play the child, but as somebody who likes throwing in twists, I still think the audience deserves a bit more of a hint lest the twist feel too much like a deus ex machina (a cheap twist thrown in to “spruce things up”). There was no warning for the betrayal, it just happened. Also, the ending [b]did[/b] feel a little too nice (again, deus ex machina when that dude didn’t die – that’s all I can say without ruining it), but considering how things progressed, the chaos that occurred and the rise of Batman as an undying symbol to which future heroes would flock and take up the mantle when needed, it didn’t feel too bad. I guess I didn’t want him to die either.

Anyway, it’s hard to say more without giving away things so I’ll leave it at that. My advice is not to get too excited about the movie. Don’t expect an incredibly feat of awesomeness that would shoot rainbows through the last movie. Treat it like you would going into any other movie you hadn’t watched before and you will thoroughly enjoy it. Unfortunately, The Dark Knight eclipses its sequel, but not by a huge amount.

With the highly anticipated finale of Batman about to be released (The Dark Knight Rises), there was a solid week of Batman related stuff playing on TV. I started watching The Dark Knight during dinner and when it went to commercials, I noticed that the scene-break they used said “The Dark Knight” and then it said “Heath Ledger” underneath. That got me thinking – the entire comic and persona of Batman are based on, well, Batman. It’s funny that of all the actors’ names, they chose the villain. Now, obviously, I know Heath Ledger’s performance in The Dark Knight was an incredible feat of acting that pulled the story and attentions of the audience so that they were centered on him. I just found it funny because that movie will forever be epitomised by the Joker. It’s like, when you think of The Dark Knight, the first thing you think of is the Joker. Amazing.

So, what other texts have featured the villain stealing the show? Well, the first one that came to mind was Othello by William Shakespeare. Iago has been widely regarded as Shakespeare’s ultimate villain, and one of his few Machiavellian evils (many of his villains were misguided, such as King Lear and Hamlet – they thought they were doing good). The fact that I can compare these two, vastly different, texts says something about the nature of the antagonist’s role. Let me cut to the chase: I think humans naturally enjoy a good villain more than a good hero. This might sound a bit morbid and cynical (and if it doesn’t yet, I’ll impress that upon you later), but I’ll present my reasons in a second. First, I want to pay homage to these two wonderful villains.

Before I start, I want to put a little informative foreword here about villains for my fellow writers. Although “Machiavellian” is a classification for antagonists, I believe a wider classification exists. There are three kinds of villains: the evil, the misguided and the chaotic.

The evil villain is your cookie-cutter do-bad-things villain. He is predictable, evil and must be stopped. This was the classic antagonist, and is sometimes known as a needless evil. It was the most common form of antagonist a few decades ago and was characterised by a lack of motive and/or simply being evil for the sake of evil. Being evil for money and power are included in this – what we have here is a character that is evil to the core with no evidence of a wider range of emotions because the character’s sole purpose for being created was to be the villain. Examples include the Wicked Witch of the West from, most Disney villains (such as Hades being evil when in true Greek Mythology, he was not), most villains of movies with aliens in them, and most serial killers or action movie villains where the motive is personal gain or psycopathic slaughter. You can tell that a more diverse opinion was never shown for these characters because they only wanted you to think of them as the bad guy that had to be killed.

The misguided hero is the one who starts doing evil things out of the belief that they are acting in a “greater good”, are mislead or corrupted by a greater evil, or even just to avenge a horrible tragedy they experienced in their past. These are the heroes that you mourn for when they die, and the ones that you wish (and they sometimes are) could be converted back to the right path. Examples of these include Uchiha Itachi, Darth Vader, King Lear, and most other villains of any movie that tries to show an antagonist that repents at the end and delivers some sort of moral message. These villains are humanised more, and have more depth in character because they seem more real. To err is to be human, and it makes us wonder, how far would we go for the greater good and how far would we fall without even realising it? These villains are becoming more popular in contemporary media; I think writers have realised that a necessary evil is a bit unrealistic and shallow.

Finally, we have the chaotic villain. It would be easier to describe this villain with an example than to explain it first, so I’ll just say the Joker (in The Dark Knight; I haven’t read enough Batman comics to understand his original character) is a chaotic villain. Alfred sums it up nicely with his famous quote (loosely quoted by me) “Because some men can’t be understood through logic, such as money. They can’t be bullied, controlled or negotiated with. Some men just want to watch the world burn.” The Joker doesn’t want money. He burns a whole bunch of it to show the mob leader that money is petty. As he says himself “I don’t have plans. I just go with the flow”. He’s such a deliciously evil character because he cannot be predicted, and thus cannot easily be stopped. He’s not powerful because he’s super wealthy or is the leader of a powerful group, he’s powerful because he cannot be understood and because he seems to enjoy going to extremes that a normal human would shudder to think of. A chaotic villain is not necessarily evil – evil is predictable, you can always expect them to do the wrong thing. A chaotic villain simply does things. Sometimes they have unintended consequences – such as the Joker essentially putting the mob out of the picture as a crime force, uniting Gotham and solidifying Batman’s power – which may even be considered good, but in the end you know that something is going to be destroyed because that’s what chaos is. It’s not rational, not logical, follows no process and is not predictable. It just destroys. 


Now for the Joker. Let’s be clear, I’m talking about the Joker from The Dark Knight – I don’t want comic book fans attacking me, I admit I don’t know much about the original Joker. I’ve actually touched on some of this above in the chaotic villain explanation, but I just wanted to go a little bit deeper into the Joker’s character. I think he’s deliciously evil (or chaotic, if you go by my definitions) because if nothing else, he is an excellent study of the human pysche. I classified him earlier as Machiavellian because Machiavellianism is characterised by deceit and manipulation, two tools that the Joker uses to great effect. He enters the movie appearing like an intricate planner: he plays upon human greed by making his bank-robbing accomplices kill each other to reduce the split (more profits after splitting if there are less people to split it with). However, we know he’s not a planner – he says so himself. I see it more as his understanding of how humans will react, and using this to his advantage. He knows just how to get to people. Another powerful scene of him turning human instinct against itself is after he kills the black mob leader and says to the remaining three survivors “we have one position open, so let’s have tryouts”. He uses human survival instinct to turn former colleagues against each other in such a simple yet brutal way. There are so many more examples I could give, but the last one I’ll mention is how he even succeeded in turning every day citizens into potential murderers by threatening to blow up a hospital if that guy (forgot his name) who was going to expose Batman on TV was not killed within a certain amount of hours.

By contrast, Iago is very similar, though due to the nature of the text in which he is a character and the sensibilities of Shakespeare’s audience, Othello is notably less in-your-face about the death and destruction. I would be wrong to say it was less violent though, as Iago manipulates Othello into killing his wife with his bare hands. As a character, Iago’s motive is never clearly given. He claims different motives to different characters but in the end, he only does so to manipulate them into doing what he wants them to do. The only thing we can possibly know about Iago is that he wants to destroy Othello, regardless of the consequences. This he succeeds in doing, all the while pretending to be Othello’s only trusted friend. His lack of clear motive and manipulative evil makes him one of Shakespeare’s greatest villains.

Why do we love villains?

Now to the question at hand. Let’s flash back to the beginning where I presented my thesis – humans naturally enjoy a good villain more than a good hero (good as in well designed; obviously I’m not talking about their ethical alignment). Why is this morbid? Because I think, deep down, humans have a penchant for evil. Objectively speaking, we do it every day without realising. Some evils have even become a social norm (such as discrimination) and others have even been endorsed by law (legal loopholes and other evils depending on the country you live in). Given the opportunity, many humans exhibit a strong desire to commit evil. These can be as lowly as stealing when nobody is looking to the abuse of power, such as prison guards humiliating and torturing prisoners (I’m sure I don’t need to give examples of these, they’re in the news every few months).

However, I think the most powerful example of this that I can give is something my art professor told me once (I’m actually quite disappointed that I forgot the name of this case, so I can’t source this information). She said that there was an artist who made himself the exhibit and sat amidst an assortment of tools. He invited the audience to use these on him. There were thumbtacks, nails and things like that. At first, the audience did nothing; they thought he was joking. Then somebody hit him lightly. The artist didn’t move or complain. Slowly, the audience became more daring. They used the thumbtacks, they cut him and beat him, until finally, somebody reached for a gun (it was unloaded but they didn’t know that), at which point security stepped in to stop it. If anyone remembers the name of this, please let me know. If anyone thinks my professor was lying to me, maybe she was but I’ve heard of weird self-inflicted-pain artists and regardless, I think this would happen. Humans have a penchant for evil. We are restricted by laws and social paradigm, but, given a chance, we would revert to a primal, destructive creature.

I’m sure some people will be too shocked at this accusation to give it any serious thought. Some will proclaim infallible ethical behaviour, or point to the statistically tiny amount of good people in the world. Truth is, most people are never in a situation where they can commit evil and get away with it. But if you look at humanity’s history of crimes, the destruction we’ve caused on both each other and everything around us, as well as our self-righteous thinking, as well as the way we treat fellow human beings, let alone other living creatures, I think you might come to realise that of all the living things we have discovered, humans are the most evil.

Of course, we could get into a semantic debate over the word evil and how it’s subjective, but you should get my point. Humans are, by nature, more strongly affiliated with evil than good. You’re more likely to find people who would steal than give something of their own just to make somebody else better off. Selfishness runs through us right to the core, and is really the root of all evil. That’s another debate I’ll have another time. One more example: you’re more likely to find a person ignore a mugging than stop one. Before you argue with me over this one, let me tell you that I consider apathy and cowardice a trait of evil (as opposed to good). Of course, they have a different amount of severity to a higher evil, such as slaughter, but it’s still a part of evil. Evil is so much more powerful than good. It’s so much easier to be evil than good, and so much easier to commit evil than protect yourself against it. Anyway, this is getting off topic.

How does this relate to a good villain? Well a good hero can only act within certain bounds. Being “good” restricts you in how you act, and humans are already very used to the idea of a hero. It’s not realistic and it’s not mind bending. But a villain? To explore the mind of somebody incredibly wicked gives us some sort of perverted pleasure. We can never allow ourselves to do what the villain does, so the villain becomes a conduit for us to explore darker creativities that exist within us. That’s why movies that make you question yourself are so powerful, because deep down, there are parts of us that we would never believe existed. That’s why a villain has so much more potential than a hero. “You have rules. The Joker? He has no rules. Nobody’s going to cross him for you.” A fitting quote. The villain has so much capacity as a character, and that’s why good villains continue to steal the show from heroes. We’re sick of heroes. They’re two dimensional, unrealistic and at best, flick our heartstrings a little so we go “aww”. Villains chill us, haunt us and make us question reality. That is so much more powerful.

Before you leave this post feeling all depressed, I want to add that I am not declaring all humans evil. I say we have a penchant for evil, but that does not mean we act (or should act) evilly. If there is anything that could possibly separate us from animals it is our ability to ignore our instincts and act with rectitude. Everyone’s had a crazy thought in their head before. Choosing not to listen to it is what makes you human.

I’m going to file this under English and Random Facts, because it is a fact that the series was done badly and for reasons closely related to writing, and thus English.

One of the main problems here is the use of deus ex machina, which is technically from Greek tragedy, but as a literary/dramatic technique, I still consider this post relevant to the topic of English.

Ok, let’s get started. A lot of fans will remain close-minded and adamant that their favourite series is as perfect as the rainbow shooting out of a unicorn’s behind but hopefully some of this information will shed light on why the series was particularly bad. Don’t get me wrong, I enjoyed the Avatar series and look forward to the next season. I also hated Shyamalan’s movie, as anyone in their right mind would. However, of all the seasons, LoK was the worst by far.

This was mainly because of poor planning. The Avatar team had this whole “four books for the four elements” theme going. Season 1 was Book One: Water, then came Book Two: Earth, and the last season of The Last Airbender was Book Three: Fire. Then The Last Air Bender ended (by the way, I also had a problem with them calling it Sozen’s Comet when a comet is made of frozen gases, and it doesn’t make sense that ice should power up fire benders). So what now? Three seasons, one element missing. Let’s make a quick fourth one to finish off with. Enter Legend of Korra.

What I’m getting at here is LoK was meant to be a standalone. Unfortunately, they tried to do too much with it and eventually Nickelodeon ordered a second season of LoK which is under production. If anything, that is an admittance that they didn’t accomplish what they set out to achieve with LoK – a nice ending to the four part series – and don’t want to end the franchise with a terrible impression. There’s too much left unexplored so they need another season to explain it all. That’s fine with me, but they should have anticipated it in the first place. Instead, we have a horrible standalone. That doesn’t mean it’s not worth watching. The series was entertaining and if you watched The Last Airbender, chances are you’ll have enough back-story to make sense of LoK. However, LoK, from a writer’s perspective (and any other intellectual) is a poor text for the following reasons.

Introducing the new Avatar. As a baby she’s already busting through walls and bending three elements (can’t do air yet). Flash forward and she’s defeating skilled benders in duels and is known as being incredibly strong. First appearance in Republic City and she trashes three benders from a notorious gang. With no history of Pro-Bending (the sport) she carries her team to the finals. What am I getting at? She’s damn strong from the onset and displays no real character growth. Aang took seasons to learn one element at a time and grow stronger and wiser. Yes, I’m aware The Last Airbender had more time to develop the story – so that’s why I said it was poor planning. Regardless, there is very little character development at all in LoK. The viewer is thrown into a story and watches events unfold. There is no journey, no connection and no feeling of accomplishment because there is no character development. It’s a list of events occurring in a world that isn’t explained with characters that are set in stone. From a writing perspective, that’s bad.

More, Korra has the attention of the only two male leading characters her age. Why? I don’t know. She hasn’t done much to get their attention. Bolin likes her because he likes any female attention (he goes on about how she came to see him as a fan and is characterised as someone who enjoys the company of women). Somewhere during the series, that personality got erased and replaced with the sad little brother that couldn’t compete with his big brother for the girl he loves. Then Mako apparently loved Korra, which I’ll get into later.

What does this mean? Korra is a Sue. A Mary Sue is a character that violates the reality of the story by having everything. A Sue is too ideal to be plausible, and makes for a horrible character because an underdog achieves goals, a perfect character just exists and everything works out for them. There’s a lot more to a Sue but you’ll have to Google that yourself. Maybe I’ll post about them later.

Now, a lot of people have accused Asami of being a Sue, just because she’s the rich, pretty girl. I think this is mainly jealousy over the fact that she’s pretty and has Mako’s attention, and people somehow wanted Mako and Korra to be together. Well bad luck, because Korra is more of a Sue than Asami is. Asami is pretty, yes. But she lost her mother when she was young, she loses her wealth because her father betrayed her trust and turned out to be a psychopath, she’s only strong because she was constantly targeted as a child and needed to learn how to defend herself, and all of that aside, she lives in a world of bending and she’s not a bender. That’s a huge disadvantage. Add to that the fact that her love rival is the freaking Avatar.

How about Korra? Strong from the very moment we are introduced to her, has the only two male main characters in love with her, treated special because of her status as Avatar, can bend multiple elements, and manages to steal another girl’s man, as well as steal a kiss from him when she knew he was in a relationship, but not get in trouble for it. Everything just works out for Korra. She’s the freaking Avatar. She’s special. Her one flaw is that she can’t connect to her spiritual side, which is never a complication in the story, and eventually she does anyway so she can bring in a deus ex machina. So yeah, Korra is the Sue here.

Amon is another problem. There was so much potential in his character. He could have been the “immortal idea” like V (from V for Vendetta). He could have just been the heart-wrenching product of a firebender’s cruelty and a jaded view on the world after the death of his parents at the hands of a bender (as he claimed). Nope. He’s just a liar. Maybe this was a weak attempt to portray a Machiavellian antagonist, like Iago from Othello, but really, he was just a waterbender who lied so that he could seize power. How boring. In fact, his entire motive makes no sense. Apparently the villain of the entire series is explained in a one minute flashback by his brother (he doesn’t even have the grace to explain himself) in which Amon is first the caring, protective brother, then the cruel, animal-torturing brother, then the guy who wants to eliminate all benders because he believes in equality. What the f-? Great, at this point it feels like the entire conflict of the series was a sham and the story is just falling to pieces.

Now that we’ve talked about how shallow the characters are, let’s get on to inconsistency and unnecessary additions to the series. The love triangle was stupid, quite frankly. It was featured in so any episodes as a point of conflict but it was never established properly. When I was watching it, all of a sudden I was like “wait a freaking minute here, Mako likes Korra?”. Why did I have this reaction? Because it was never properly demonstrated that he liked her. Yes, he complimented her for her good performance in pro-bending (which is normal) and there was a scene where he was staring across the water at the air temple where she lived. For like three seconds. Sorry girls, I live in a real world where it takes more than a well-earned compliment and looking in the direction where someone lives to fall in love. Compare that to Mako first meeting Asami.

See? Now that’s love. He spontaneously generates love hearts which float around his head. That’s true love. Maybe he firebended those hearts, I have no freaking clue, but it’s inconsistent as heck with the rest of the story. I had no idea that Avatar was a show that portrayed visual representations of their character’s emotions. So why are there no light bulbs every time someone has an idea? Why no hash and exclamation marks when characters get angry? Because this scene was stupid (man I really want to use the f-word) and inconsistent with the rest of the story. And honestly, he blatantly expresses love at first sight for Asami (four goddamn hearts, count ’em!). At what point did he give a clear sign that he liked Korra? No point at freaking all. Yet somewhere, they decided to turn it into a love triangle that had absolutely nothing to do with the plot and was just a constant reminder of how poorly thought out the series was.

Finally, the deus ex machina. For those unfamiliar with the term, it means “god out of the machine” and was basically a feature in some ancient Greek tragedies (performed on stage) where a “god” would resolve the characters’ problems and basically fix everything. The deus ex machina was often an actor being lowered down on to the stage, symbolising the descent of a god to magically put everything right. Nowadays, it’s basically a feature that doesn’t gel in with the rest of the story and is introduced for the sole purpose of resolving an issue that has caused the story to get stuck. It’s bad because it undermines the integrity of the entire text and removes all feeling of conflict. It’s like, why should I care if someone’s just going to come and fix everything? There’s no suspense at all. There’s no consequences.

Aang is the deus ex machina. Korra loses her bending and everyone freaks out. For once, I feel as if something momentous is occurring in the plot. It’s like, wow, the Avatar has lost her powers! Holy monkeys, what do we do now? There’s some real emotion now – sadness, fear, uncertainty, and destitution. One minute later – wait, never mind, here’s Aang to fix everything. Yes, I get that Korra was sad, and yes, that tear that fell off the cliff was symbolic of her character’s “death” (an Avatar without bending is a dead character – it fails to serve its intended purpose) and possibly reflecting her morbid mindset in which she may have contemplated suicide. This has nothing to do with the fact that these badasses come in and remove all the emotion, suspense and integrity from the text.

There is no purpose to any of the conflict in the series when Korra can just be sad and Aang will come fix everything. That is why a deus ex machina sucks.

Why am I so frustrated? I think the series had so much potential. They could have made something amazing, but instead, it was a rushed, poorly planned, inconsistent, shallow show. Hopefully they take more time with the next season, although thanks to their little deus ex machina, there’s no conflict for a second season. Amon is dead (supposedly – we never see him actually die) and the Avatar has her bending back and the power to restore bending. So what now?

Seriously though, how could would it have been if the second season was Korra journeying with Beifong (and possibly others) to find a way to restore bending? That would have made for a good story.

Recently, any 9gag post featuring the usage of the word “America” to represent the United States of America and “American” to refer to a person from aforementioned States has been met with a lot of tears, frustration and broken hearts in the comment sections. This could very likely be an internet-wide phenomenon, but 9gag is the only place where I really read comments (because there are so many idiots there it’s amusing).

Well, I’m here to end this crap.

These arguments usually revolve around something along the lines of “America is not a country, [insert profanity and remove appropriate punctuation], it’s a continent”. Wow that’s dumb. America is less a continent than it is a country. In short, using the word “America/American” to describe the US and its inhabitants is perfectly correct – and I’ll proceed to prove it to you.

Ok, so here’s some history. The term “America” was first featured on one of four five (as of July 4, the fifth was found in a German university library) maps of German cartographer Martin Waldseemueller, who died in 1522. At the time, it was used to mark a boomerang shaped strip of land that is now modern-day Brazil. Here’s a picture for reference.

That’s America there on the right. If you don’t believe me, Google it yourself. Anyway, it should be pretty obvious that there’s more to South America (and indeed North America) than what is shown there. Over time, the term “America” became used to describe the “New World”, which pretty much just included the Americas (gasp, there’s a hint!) and sometimes Australasia. This was mainly due to the expanding of the geographical horizon that existed in the European Middle Ages, in which they believed that the whole world consisted only of Africa, Asia and Europe. Eventually, after all was discovered, and scientists did their thing with tectonic plates, they divided North and South America into two different continents – and rightly so. Why? Because the two landmasses are on separate tectonic plates. Again, a picture for you as reference.

In case you can’t see, the brown plate is North America and the purple is South America. Well, now that we’ve established a well-documented, existing definition (that North and South America are two different continents) we can continue with our proof. And yes, I am aware that people around the world are actually taught different things. There’s a five continent model (old mode from the 60’s in Europe – hence the five Olympic rings), a six continent model where North and South America are combined into one (mainly taught in Europe and Latin American countries), and finally the seven continent model where North and South America are separate. However, most geographers and scientists now agree on a six continent model – but North and South America are still separate continents (refer to tectonic plates if you want to know why). The true six continent model (true as in geographically and scientifically endorsed) combines Europe with Asia (Eurasia) as they are technically one single landmass on one single tectonic plate. So either way, if someone tries to say North and South America are just one continent (America), then that’s how they were taught so it’s not their fault that they’re wrong. Yes, they are still wrong.

Let’s go back to our original claim “American is a continent not a country”. Wrong. Here’s where the previous hint comes back; the Americas (notice the plural) are two continents. They can also be collectively known as Pan-America, which consists of North, Central and South America, as well as the Caribbean. America (notice the singular) is not a continent. The continents are North America and South America, remember? Cutting the first half off a word does not make it the same thing, especially when the second half is the same for two different continents. In fact, these stupid claims are defeated by their very own logic. They argue that we cannot call the United States of America by the shortened term “America” but they say America is continent when it is itself shortened by cutting off the preceding word. In both cases, we’re ignoring the first half of the name, so “America is a continent, not a country” is already wrong by its own reasoning. So what makes it more correct to use America/American to refer to the US and its people? I’m glad you asked.

First of all, “American” is a demonym. A demonym is basically a term for the populace of a certain locale, based on the name of that region. Thus, Chinese (from China), Australian (from Australia) and American (from America). Now, here’s the fun bit. Let’s just say for an instance that the word America does not, by itself, have any meaning – thus nullifying the semantics of the word American (ignoring the fact that some people do already say “North American” and “South American”). What then would you call a person from the US? United States of American? United Statesian? Here’s my personal favourite: USAsian. It even sounds like “You is Asian”. If we ever change the word “American” it should be to USAsian. If you want to blame someone, blame the people who decided to name a country “the United States of [landmass]”. They obviously didn’t foresee the difficulty of naming things when they came up with that name. As a result, we just have the word American, which is a nice, simple demonym.

Second, and here we get into a bit of the etymology and semantics of language itself, what is the meaning of a word? If you think about it, a word is really just a wavelength emitted by our vocal chords. That’s the scientific way of saying “words are just sound”. So how does this sound have a meaning attached to it? It’s meaning is given to it by its use. If it’s used to represent something, it will come to mean that thing. The word “American” has already had a few hundreds years of usage to describe people/things from the United States. Not only that, it was popularised and utilised by the media and government (the American Dollar and the American Dream), so really, the word has already established its meaning and the media, people and government were the ones who created the word’s meaning, as well as ensuring that it sticks. So yes, America is the shortened word for the United States of America, and American is the word for a person/thing from the US. Its usage as such is perfectly correct.

Before I forget, I remembered someone saying “stop claiming the entire continent for yourselves”. I’m guessing that the other people belonging to North and South America (the continents) are feeling left out of their own continent. Well, in response, I say: chill out. You should be glad that you’re not lumped in with the US and have a country name and appropriate denonym for yourselves. That means you don’t get dragged into the American image of archaicness, obesity and stupidity (among other things). Now stop trying to argue that America “is a continent not a country” or you mind end up being considered stupid after all.

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