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I’ve been noticing another wave of incorrectly used semicolons. I joined another writing forum to see if I could meet any interesting writers, concepts or tips, and to provide advice. It seems a lot of amateur writers are caught in that transition phase between simplistic writing and using linguistic features (such as punctuation, and in this case semicolons) to spruce up their narrative. Unfortunately, this transition phase tends to see a lot of errors.
So let’s lay down some quick terminology. You should all know what a semicolon is. A comma splice is when two sections of a sentence are joined together by a comma when they can be standalone sentences by themselves (known as a main clause/independent clause). By the way, if you omit the comma altogether (so it’s just two sentences stuck on the ends of one another with no punctuation in between) it’s known as a fused sentence.
I’m still learning about punctuation, today I learned how to use semicolons.
That’s an example of a comma splice. Now there’s a number of ways to fix it.
- Separate it into two sentences. I’m still learning about punctuation. Today I learned how to use semicolons.
- Use a coordinating conjunction (for, and, nor, but or, yet, so). I’m still learning about punctuation, and today I learned how to use semicolons.
- Use a subordinate conjunction (because, since, once, as, if, unless, though, etc.). Because I’m still learning about punctuation, today I learned how to used semi colons.
- Use a semicolon. I’m still learning about punctuation; today I learned how to use semicolons.
Let’s just solidify what those examples should have taught you (if you didn’t already know) and refocus on semicolons. The two clauses separated by the semicolon have to be independent clauses. They have to be sentences by themselves. It’s very easy to remember but oddly hard to follow.
On an ending note, I’d like to point out that sometimes rules can be broken. I’m a big advocate of bending the rules for stylistic effect but I’m tired of seeing people use this as an excuse. If you break a rule to create rhetorical effect, fair enough. Just make sure there’s a distinct purpose for you breaking the rule, and that even an idiot can tell you did it on purpose. And don’t overdo it. It’s only special if it’s rare.
While I’m on the topic, here’s another excuse that really ticks me off. Using cummings as an excuse to ignore rules of English. For those that don’t know, cummings was a poet famous for (among other things) ignoring capitalisation in his poems. That’s why people often don’t capitalise his name; it’s sort of like a weird little tribute to him. However, let’s get this straight. First, he wrote poetry, which already bends a lot of rules. Second, he became famous. It’s very difficult to criticise the successful. Third, you are not cummings. There are literally tens of thousands of other writers competing with you (in any sense of the word) and not many people have even heard of your name. You will not be excused for breaking rules. At least not until you become famous first.
With the advent of the computer, more and more writers are using word programs to write. The convenience and speed are incredibly helpful, but it’s come at the cost of knowledge about spelling, grammar and punctuation.
This time, I’d just like to draw attention to the three types of dashes.
This is a form of punctuation used to separate compound words, such as water-powered or heat-seeking. This is the minus key on standard keyboards and is noticeably shorter in length. Originally, I believe hyphens were meant to be slightly diagonal as we can see above, but now they’ve been mixed up and confused so much that it’s become interchangeable with a dash. Hyphens are appropriate from most word breaks and compounding (including hyphenating telephone numbers).
In typography, “en” is a unit of length around the width of the letter “N”. The En Dash gets its name from this by being roughly that wide. It is used to describe a range of values or distance. For example, the range: people between ages 18 – 30 would use an En Dash. This blog doesn’t actually auto-correct the length of dashes so my dash up there is the same size as a hyphen, which is wrong. I could copy and paste one to be correct but I thought that it would be a good example of how this typographical standard remains ignorant to most. In terms of distances, the En Dash sort of replaces the word “to”, such as: the Sydney-Tokyo flight was delayed.
Similar to the En Dash, this gets its name from it’s length being that of the letter “M”, which is roughly twice the length of an “N”. The Em Dash is used to denote parenthetical elements to a sentence, similar to using commas as a parenthetical marker. As the word parenthetical comes from parenthesis, some of you may already know what I mean by this. For those that don’t, I’ll have to use an example.
The building, still burning from the attack, began to crumble.
The two commas are used to describe some attribute of the subject that may not be directly a part of the sentence. Similarly, the Em Dash can be used for the same purpose, but is often used to denote abrupt parenthetical elements.
The building – a burning and crumbling mess of shattered stone and woodwork – was no longer the proud fortress it had once been.
Due to its abrupt nature, the Em Dash is also used in fiction to denote interruption in dialogue, such as: “Hey Bob, what was that sou-“. Again, wordpress doesn’t correct it to the proper length dash so just take note that even though I used a hyphen, it should be an Em Dash.
So just remember guys, not all dashes are the same! Make sure you’re using the right one, or at least understand the difference.