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This is for katlaire who requested I make this post. As promised, this will offend some die-hard fans so if you can’t stomach objective criticism, you’re better off not venturing down this dark alley.

I actually had a hard time coming up with a title for this post because I don’t want it to be just a rant on crappy books that get published. Ranting would imply a subjective opinion. I like to be a coldly logical person with an objective view, so instead of ranting I’m going to mention a few books (all of which were published by a proper publishing house) and analyse why they were successful and whether they deserved to be published. To keep things orderly, I’ll divide this post by book titles, but I’m only going to go in-depth with Twilight. The other books I’ll mention are just for comparison (some of them also suck).

Twilight:

This is, of course, borderline ranting about some of the junk that’s out there, and how could anyone do that without mentioning a crowd favourite? Now it’s Twilight’s turn to shine (or sparkle), something the writing in this book never did.

Honestly, I haven’t read any of the books cover to cover (it’s unbearable even to think about it). I have watched some of the movies though (not my choice) and have done some research into the matter so I don’t end up giving an uninformed analysis. Based on the examples I’ve seen and the common consensus of the writing world and my own opinion, this book is (by writing standards) absolutely atrocious. There is, however, a valid reason for why it became popular, which I will mention later. I’d just like to point out a famous quote that’s relevant here:

“Harry Potter is all about confronting fears, finding inner strength, and doing what is right in the face of adversity. Twilight is about how important it is to have a boyfriend.”

Many of you think Stephen King made this quote but he didn’t. This quote has never been sourced back to him and based on a quick Google search, it’s quite obvious the originator of this quote is Robin Browne (who was quoted by Andrew Futral in a tumblr post and later confirmed that he got the quote from Browne). However, despite not coming up with this quote, Stephen King is quite a vocal critic of Twilight. Here’s a quote he actually did say when asked to compare Harry Potter and Twilight (during an interview):

“The real difference is that Jo Rowling is a terrific writer and Stephanie Meyer can’t write worth a darn. She’s not very good.”

I disagree slightly about Rowling being “terrific” but I’ll get to that in the Harry Potter section.

Anyway, let’s get to the point shall we? Why is Twilight such garbage? Well, for one it’s plagued with purple prose and a huge lack of pace and excitement. Twilight is something that you lose interest in the moment you gain a shred of maturity. In fact, the series would never have survived if it weren’t for the “hot guys” acting in the movies, because it’s a terrible book/movie series.

Not only is Bella a Mary Sue (more on this later), the plot is focused around the most mundane and ridiculous stuff that only a narcissistic pre-pubescent girl would find interesting. Ohhhh noooo, which of these two mythical hunks is Bella going to pick? Ohhhh noooo, should she become a vampire to be with Edward? Ohhh noooo, Bella has special smelling blood so there’s a sexy feeling of danger whenever she’s around vampires.

Wow, seriously? You have vampires and werewolves in an eternal conflict, living amongst regular humans whilst waging their silent war on each other and the only thing you can focus on is the most prosaic crap about Bella? That’s like Homer writing about two mud-crabs fighting over a rock whilst the Battle of Troy was raging in the background. In fact, this is a particularly apt analogy (that I came up with on the spot) because the Battle of Troy had a love triangle at its very heart too, except look at the difference; Homer’s work has gone down as one of the greatest love stories ever written and has convinced historians and archaeologists to spend their entire lives’ work dedicated to trying to prove the story true.

Now, back to Bella. I mentioned she was a Mary Sue. I can’t be bothered explaining what this is again, so I’m going to put an article on it in the English techniques section later – but I’m sure many people already know the definition. In this case, Bella is a normal girl (albeit with “special smelling blood”) who has the two hottest male characters in the book fighting over her for no apparent reason. Wait, let me recant that. She’s not normal, she’s boring. Not only is she a boring person, she has a horrible, depressive, suicidal, fickle, insecure, narcissistic personality that any real man in the real world would look at and tell both Edward and Jacob “don’t stick your d**k in crazy”. She has absolutely zero redeeming characteristics to make her a likeable person that is in any way deserving of any of the special treatment she is given.

What’s worst though, is that despite being a purple prose (another term I’ll define in English-techniques later on; Google it if you don’t know) infested text, there is a suspicious lack of description regarding Bella – the main character. Want to know why? Because Bella is not a real character – she’s an insertion of Stephanie Meyer’s own personality and is her own pathetic little “John Everyman” for insecure girls. She is basically a gaping white blank in the world of her writing so that any other teenage girl with the same insecurities and personality flaws can just insert themselves into Bella’s place and fantasise about being popular and special for no reason at all. And I can’t stress enough how much this series is focused on this “love triangle” – she even butchered the concept of vampires to “emphasise” how good looking Edward was so that it would be all the more desirable for any girl who inserted herself into Bella’s shoes. So much for Bram Stoker’s Dracula – a hunter of the night, manipulator of the human heart and a dark, gothic villain whose only weakness were the elements. Move over Dracula, we have good-looking, sparkly playboys to represent vampire-kind now. The only aspect of vampires that Meyer got right was the connection between vampires and female sexuality (as Stoker’s Dracula had a strong underlying message of forbidden sexual tension), but I’m almost certain this was purely by mistake and coincidence.

So why did this book become popular? Well, I’ve already mentioned the reason. The book is a tool for girls to insert themselves into this sexual fantasy of self-importance. Since your teenage years are a tough battle to find self-worth, identity and “love” (or what you think is love and will later learn was something stupid), the book really kicked off. In fact, based purely on the target market (insecure young girls), there was even a bit of a snowball effect in which non-readers were pressured into becoming readers so that they would “fit in”. Kind of sad how youths don’t realise that “fitting in” is the opposite of finding your identity, but that’s just something you’ll have to learn over time.

Because of the above reasons, I don’t blame the publishing company for publishing Twilight. They knew it would make money and they were right. I don’t even blame the readers for supporting such a crappy book. It’s natural to want an escape from reality, and when you’re young and immature, your idea of a perfect roleplay is when you get to be Bella. Don’t worry, as you mature your dreams become bigger and more meaningful.

Harry Potter and the Hunger Games:

                        

These two books are common comparisons with Twilight because they became popular during roughly the same period of time. I’m going to dispel a common misconception right off the bat here. Harry Potter is not the greatest series of books ever written. To be more specific, the first three books were mediocre.

I’m crazy right? I told you I’d offend people. Harry Potter has a huge fan-base of zealous supporters just like Twilight does. There’s a problem with books – usually only the mass marketed, viral books get read and people who don’t read regularly just assume that these are the best books out there. That’s way off the mark. There’s a treasure trove of good books that a lot of people have never heard before. Back to Harry Potter though – the overarching plot for the seven books was very creative and original and unlike Twilight, there were actually morals encouraged by the story. The characters were solid and the main cast was characterised very well.

Why then do I not worship the books? Well, as much of a fan as I am, I have to concede that the first three books are sort of mundane, unexciting and most of all, written poorly. The first book in particular is atrocious. The language and writing style that Rowling uses for The Philosopher’s Stone is something I would expect of a high school student who’s doing badly at English. If you don’t believe me go and read the first three pages of The Philosopher’s Stone and then go and read the first three pages of The Deathly Hallows. There’s a HUGE difference. That’s where I respect Rowling, as I read the Harry Potter series, I can feel her skill as a writer growing. The only other aspect I would have liked her to improve on was the world-building. There was a nice contrast between the Muggle world and the Magical world, but it was focused almost entirely on the same setting. It would have been nice to get more into the politics and the different countries and cities.

Harry Potter was popular for the setting and concept. The writing was not originally great (although it did become good), but the idea of a magical society living amongst us and their fear of a powerful evil wizard who could only be destroyed by an unremarkable young boy is a huge underdog story set in a very interesting world. Not only that, the school environment is a popular because it provides a realistic frame of reference for the audience and is a cultural meme that invokes a wide variety of emotions.

Similarly, the Hunger Games was quite average but was popular because the main character featured a strong female role where the majority of fiction books feature a male in the leading role. The story is not entirely original, being a twist on the ancient Greek myth of Theseus and the Minotaur (I’ve said this before and someone didn’t believe me so you can go Google this yourself – the author said as much herself during an interview). I have nothing against unique twists on existing concepts (as I write high fantasy, I pretty much live by making my own twist on existing concepts), but the point is the strongest feature of the Hunger Games are the characters, and this is why the series became popular – though the plot isn’t bad either.

Sasha and some other book whose name I’ve forgotten:

I’m going to end with another two books that I found were terrible. The first is Sasha – A Trial of Blood and Steel. I saw this in book stores a long time ago and the title caught my attention, so when it became available at my library I borrowed it. Wow, what a disappointment. Sasha is a huge Mary Sue (in the opposite direction of Bella). She’s not only a princess but a master swordswoman too. She’s beautiful and far too strong. The few chapters I read were just her killing people with absolutely no effort and being widely respected and sought after because she’s basically perfect. Boring. Not only that, the pace was inappropriate (butchered by some purple prose at the wrong times) and the plot so mundane that I can’t remember much about it besides that it wasn’t interesting. Maybe the book got better (and come to think of it I may not have started reading from the beginning) but all I know is that this was one of the few fantasy books that I’ve picked up and haven’t finished. Usually, I’ll stick with it until the end.

The book that I forgot was a historical fiction where this girl went back in time to medieval England (I think) and changed history. She brought her taekwondo skills with her and beat down all these fully armed and trained knights, did the sideways monkey dance with the prince and turned out to be a Goddess. I don’t have to make it any clearer – she was a Mary Sue, and as a result I can’t even remember the title of that book. See what bad writing does? Admittedly, the book was a bit interesting at first (she became a Goddess later on), but it wasn’t very accurate for a historical fiction and the main character was ridiculously overpowered.

Anyway, that’s that. I gave a pretty objective analysis of why some popular books are popular, and why some of them are horrible books so this is slightly more informative that a simple rant. Hopefully nobody is too offended that I called out Harry Potter, I admit that I’m a huge fan and it’s one of the few books that I’ve read more than once – so the very fact that I pointed out its flaws should demonstrate that I’m giving impersonal, objective critiques.

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Preamble:

Writing fiction, whether it be fanfiction or original fiction, is a hobby that has experienced a recent resurgence in popularity. I might attribute this spike in popularity to the recent success of some mediocre and terrible books, but that’s a rant I’ll have to save for later. Another factor influencing this trend is the ability to self-publish. Unfortunately, self-publishing has no quality control, and is really just the dead-end for a deadbeat writer, like a basketball player resorting to coaching primary school kids. The ultimate goal has, and always will be, to be published by a real publishing house with the means to distribute your book and pay you royalties (as opposed to self-publishing where you pay to get your book published).

Anyway, I’m a regular on a number of writing forums and have given quite a few hopefuls some advice ranging from advanced writing concepts to simple techniques. Since it’s inevitable that there will be a large increase in self-proclaimed writers (or god-forbid, authors), I figured that it was in my best interests to compile a quick 5 tips so that the stuff I’m reading in the future will – hopefully – be a little less crappy. Keep in mind these tips apply for all fiction but not necessarily academic writing – so those of you who need to do short stories at school can also boost your marks with these tips.

Fiction Writing Tips:

1. Grammar: Surprised? You wouldn’t believe how many stories are plagued by basic errors. Well this actually includes all basic English syntax. Please, if you’re going to write, make sure you have a high level (if not perfect) of spelling, punctuation and grammar. It’s infuriating trying to read something that looks as if it belongs to a primary school student with an F in English. It’s worse when you call yourself a writer with that kind of English. Not only does poor syntax distract from the story, it is really just a sign that you don’t care or are not good enough to be writing.

2. Consistency: This one is more applicable for longer stories (like novels) but should be a logical aspect of any piece of writing. Keep it consistent. If you say your main character is a red-headed girl, don’t turn her into a blonde. That should be obvious. The hard bit comes when you have a world and landscape that you need to keep consistent. Directions, environment and physical features need to be the same throughout the text. For this, I like to keep a little document that quickly summarises these things (for example: City X, west of City Y, Forest of the Lost in between, mountains to the north, etc.). Even more difficult is your characterisation. You need to be firmly aware what kind of character you’re creating so you don’t end up with the melancholy introvert being the party animal – and so you don’t end up with an entire cast of characters that are exactly the same. This relates to the category below.

3. Characters: Some of you may have heard the term “Mary Sue” before. A Sue is basically a character that is unrealistic within the mechanics of your fictional world. The more things your character has that defies reality, the closer it is to a Sue. For example, in a medieval world, your character would be pushing it if he was a cyborg with laser weapons. If your character is a beautiful girl who is good at all sports and a professional in all fields of science and knows how to overpower trained hitmen whilst also being loved by every guy she meets, then yes, you have a Sue and you’re also probably projecting some of your insecurity on to your own character.

The key to characterisation is focusing on a few key personality traits and making that character unique. Your story will be more realistic and there’ll be more depth to the environment if there’s a wide range of characters with their own unique identity. This is very difficult to achieve and is something I’ve always had to struggle with, but your goal is to avoid having a cast of characters that are identical to each other. If you remove the names of your characters and judge them solely by how they act and talk, can you tell the difference? Mannerisms and key personality traits are an advanced set of writing techniques that you can incorporate into your characters to make them stand out from the others.

Remember, humans are unique, you need to demonstrate this through your characters.

“If everyone is Han Solo, then nobody is Han Solo” – Cleveland Brown Jr.

4. Pace: There’s a term in writing known as “purple prose“. It basically means over-the-top flowery writing. I remember an amusing quote from a writing website that described purple prose as if the writer had made love to a thesaurus. The reason why purple prose is bad is because it kills all sense of pace in your story. You can’t capture the heat of a battle when you’re describing birds chirping and what not. Let me demonstrate:

“The soldiers formed up ranks and stared each other down across the no-man’s land. Two veritable walls of steel and flesh were about to collide in a bloody clash, but Hero couldn’t feel any fear as he only felt beauty. A swallow dipped across the divide and, as if sensing impending danger, pulled up quickly in a graceful arch. As they men charged, Hero could see the morning’s dew glistening on the grass, and the little shimmering lights that were flung through the air as the soldiers trampled past. The gentle kiss of the breeze was a direct contrast to the blood curling war cries and the sounds of death, and as he drew his elegant long sword, he could see deer bounding away in fear.”

Ok, so I’m not very good at purple prose because I instinctively shy away from it, but the point is – why is Hero noticing all this random crap when he’s about to enter a life-or-death situation? Wouldn’t it be more realistic and appropriate for him to be noticing his emotions and those of the terrified men around him? There’s no sense of urgency when you’re describing random things that are irrelevant to the matter at hand.

So, how do you create pace? Well, first avoid irrelevant details. If you’re writing a scene, focus on the purpose of that scene and write in a way that builds the scene and makes it stronger. If the purpose of this scene is for Hero to end up surrounded by the enemy and the corpses of his friends, then go for gritty and write the damn scene. No one cares that there was a gentle breeze kissing him, but they do care what kind of emotions were rushing through Hero, as well as the fighting itself. Second, play with sentence length. Length can play a huge role in creating pace, and even using sentence fragments is acceptable (though technically incorrect English, sentence fragments are a writing technique to generate pace). For example consider this: (By the way, “c.f.” means “compared to”)

“He could smell smoke and turned to see fire bursting through the windows to blossom out across the walls, consuming the manor in a blazing inferno.”

c.f.

“He could smell smoke and turned to see fire bursting through the windows. Flames blossomed across the walls and consumed the manor in a blazing inferno.”

c.f.

“He could smell smoke. Turning, he saw fire burst through the windows. It blossomed across the walls and consumed the manor in a blazing inferno.”

c.f.

“He smelled smoke. Turning, he saw fire burst through the windows. It blossomed across the walls and consumed the manor.”

Hopefully you can see the difference, if not between each example than between the first and last. Essentially, short sentences create impact and a sense of urgency. The first example feel as if the character is just standing there observing this fire whereas the last example has a sense of urgency. Sometimes this means going easy on the adjectives. Just remember, sometimes pace is more important than description.

5. Diction: In writing, diction is essentially your choice of words. You can make a huge difference by avoiding obscure, generic words. Examples of these words are: good, happy, take, read, walk, look, thing, and book. Now let me explain – first, these words are often unavoidable and are perfectly good words in the right context. However, when you’re trying to add that extra sheen to your writing, you should attempt to substitute these words where applicable. The reason is because these words lack detail and emotion. What kind of book? How does she take the book? Is there any emotion when she takes it? When she reads it?

Here’s an example from one of the forums: “She took the pieces of paper and read over them.” Now I’m going to transform this sentence, step by step, keeping in mind the main concepts in diction – focus on detail and emotion.

“She took the pieces of paper and read over them.”

c.f.

“She took the papers and read them.”

c.f.

“She snatched the papers and read them.”

c.f.

“She snatched the papers off his table and began to read them.”

c.f.

“She snatched the treatises off his table and began perusing.”

c.f.

“With keen anticipation, she snatched the treatises off his table and began perusing.”

As you should be to see, we’ve turned a generic sentence with no detail or emotion into one that conveys a sense of urgency and excitement. “Snatch” instead of “take” creates pace and anticipation. “Treatises” instead of “papers” tells us the nature of this anticipation is probably due to an academic discovery. “Peruse” instead of “read” tells us how absorbed the character is and heightens the sense of excitement, as well as conveying a bit of disbelief.

I’m going to file this under English and Random Facts, because it is a fact that the series was done badly and for reasons closely related to writing, and thus English.

One of the main problems here is the use of deus ex machina, which is technically from Greek tragedy, but as a literary/dramatic technique, I still consider this post relevant to the topic of English.

Ok, let’s get started. A lot of fans will remain close-minded and adamant that their favourite series is as perfect as the rainbow shooting out of a unicorn’s behind but hopefully some of this information will shed light on why the series was particularly bad. Don’t get me wrong, I enjoyed the Avatar series and look forward to the next season. I also hated Shyamalan’s movie, as anyone in their right mind would. However, of all the seasons, LoK was the worst by far.

This was mainly because of poor planning. The Avatar team had this whole “four books for the four elements” theme going. Season 1 was Book One: Water, then came Book Two: Earth, and the last season of The Last Airbender was Book Three: Fire. Then The Last Air Bender ended (by the way, I also had a problem with them calling it Sozen’s Comet when a comet is made of frozen gases, and it doesn’t make sense that ice should power up fire benders). So what now? Three seasons, one element missing. Let’s make a quick fourth one to finish off with. Enter Legend of Korra.

What I’m getting at here is LoK was meant to be a standalone. Unfortunately, they tried to do too much with it and eventually Nickelodeon ordered a second season of LoK which is under production. If anything, that is an admittance that they didn’t accomplish what they set out to achieve with LoK – a nice ending to the four part series – and don’t want to end the franchise with a terrible impression. There’s too much left unexplored so they need another season to explain it all. That’s fine with me, but they should have anticipated it in the first place. Instead, we have a horrible standalone. That doesn’t mean it’s not worth watching. The series was entertaining and if you watched The Last Airbender, chances are you’ll have enough back-story to make sense of LoK. However, LoK, from a writer’s perspective (and any other intellectual) is a poor text for the following reasons.

Introducing the new Avatar. As a baby she’s already busting through walls and bending three elements (can’t do air yet). Flash forward and she’s defeating skilled benders in duels and is known as being incredibly strong. First appearance in Republic City and she trashes three benders from a notorious gang. With no history of Pro-Bending (the sport) she carries her team to the finals. What am I getting at? She’s damn strong from the onset and displays no real character growth. Aang took seasons to learn one element at a time and grow stronger and wiser. Yes, I’m aware The Last Airbender had more time to develop the story – so that’s why I said it was poor planning. Regardless, there is very little character development at all in LoK. The viewer is thrown into a story and watches events unfold. There is no journey, no connection and no feeling of accomplishment because there is no character development. It’s a list of events occurring in a world that isn’t explained with characters that are set in stone. From a writing perspective, that’s bad.

More, Korra has the attention of the only two male leading characters her age. Why? I don’t know. She hasn’t done much to get their attention. Bolin likes her because he likes any female attention (he goes on about how she came to see him as a fan and is characterised as someone who enjoys the company of women). Somewhere during the series, that personality got erased and replaced with the sad little brother that couldn’t compete with his big brother for the girl he loves. Then Mako apparently loved Korra, which I’ll get into later.

What does this mean? Korra is a Sue. A Mary Sue is a character that violates the reality of the story by having everything. A Sue is too ideal to be plausible, and makes for a horrible character because an underdog achieves goals, a perfect character just exists and everything works out for them. There’s a lot more to a Sue but you’ll have to Google that yourself. Maybe I’ll post about them later.

Now, a lot of people have accused Asami of being a Sue, just because she’s the rich, pretty girl. I think this is mainly jealousy over the fact that she’s pretty and has Mako’s attention, and people somehow wanted Mako and Korra to be together. Well bad luck, because Korra is more of a Sue than Asami is. Asami is pretty, yes. But she lost her mother when she was young, she loses her wealth because her father betrayed her trust and turned out to be a psychopath, she’s only strong because she was constantly targeted as a child and needed to learn how to defend herself, and all of that aside, she lives in a world of bending and she’s not a bender. That’s a huge disadvantage. Add to that the fact that her love rival is the freaking Avatar.

How about Korra? Strong from the very moment we are introduced to her, has the only two male main characters in love with her, treated special because of her status as Avatar, can bend multiple elements, and manages to steal another girl’s man, as well as steal a kiss from him when she knew he was in a relationship, but not get in trouble for it. Everything just works out for Korra. She’s the freaking Avatar. She’s special. Her one flaw is that she can’t connect to her spiritual side, which is never a complication in the story, and eventually she does anyway so she can bring in a deus ex machina. So yeah, Korra is the Sue here.

Amon is another problem. There was so much potential in his character. He could have been the “immortal idea” like V (from V for Vendetta). He could have just been the heart-wrenching product of a firebender’s cruelty and a jaded view on the world after the death of his parents at the hands of a bender (as he claimed). Nope. He’s just a liar. Maybe this was a weak attempt to portray a Machiavellian antagonist, like Iago from Othello, but really, he was just a waterbender who lied so that he could seize power. How boring. In fact, his entire motive makes no sense. Apparently the villain of the entire series is explained in a one minute flashback by his brother (he doesn’t even have the grace to explain himself) in which Amon is first the caring, protective brother, then the cruel, animal-torturing brother, then the guy who wants to eliminate all benders because he believes in equality. What the f-? Great, at this point it feels like the entire conflict of the series was a sham and the story is just falling to pieces.

Now that we’ve talked about how shallow the characters are, let’s get on to inconsistency and unnecessary additions to the series. The love triangle was stupid, quite frankly. It was featured in so any episodes as a point of conflict but it was never established properly. When I was watching it, all of a sudden I was like “wait a freaking minute here, Mako likes Korra?”. Why did I have this reaction? Because it was never properly demonstrated that he liked her. Yes, he complimented her for her good performance in pro-bending (which is normal) and there was a scene where he was staring across the water at the air temple where she lived. For like three seconds. Sorry girls, I live in a real world where it takes more than a well-earned compliment and looking in the direction where someone lives to fall in love. Compare that to Mako first meeting Asami.

See? Now that’s love. He spontaneously generates love hearts which float around his head. That’s true love. Maybe he firebended those hearts, I have no freaking clue, but it’s inconsistent as heck with the rest of the story. I had no idea that Avatar was a show that portrayed visual representations of their character’s emotions. So why are there no light bulbs every time someone has an idea? Why no hash and exclamation marks when characters get angry? Because this scene was stupid (man I really want to use the f-word) and inconsistent with the rest of the story. And honestly, he blatantly expresses love at first sight for Asami (four goddamn hearts, count ’em!). At what point did he give a clear sign that he liked Korra? No point at freaking all. Yet somewhere, they decided to turn it into a love triangle that had absolutely nothing to do with the plot and was just a constant reminder of how poorly thought out the series was.

Finally, the deus ex machina. For those unfamiliar with the term, it means “god out of the machine” and was basically a feature in some ancient Greek tragedies (performed on stage) where a “god” would resolve the characters’ problems and basically fix everything. The deus ex machina was often an actor being lowered down on to the stage, symbolising the descent of a god to magically put everything right. Nowadays, it’s basically a feature that doesn’t gel in with the rest of the story and is introduced for the sole purpose of resolving an issue that has caused the story to get stuck. It’s bad because it undermines the integrity of the entire text and removes all feeling of conflict. It’s like, why should I care if someone’s just going to come and fix everything? There’s no suspense at all. There’s no consequences.

Aang is the deus ex machina. Korra loses her bending and everyone freaks out. For once, I feel as if something momentous is occurring in the plot. It’s like, wow, the Avatar has lost her powers! Holy monkeys, what do we do now? There’s some real emotion now – sadness, fear, uncertainty, and destitution. One minute later – wait, never mind, here’s Aang to fix everything. Yes, I get that Korra was sad, and yes, that tear that fell off the cliff was symbolic of her character’s “death” (an Avatar without bending is a dead character – it fails to serve its intended purpose) and possibly reflecting her morbid mindset in which she may have contemplated suicide. This has nothing to do with the fact that these badasses come in and remove all the emotion, suspense and integrity from the text.

There is no purpose to any of the conflict in the series when Korra can just be sad and Aang will come fix everything. That is why a deus ex machina sucks.

Why am I so frustrated? I think the series had so much potential. They could have made something amazing, but instead, it was a rushed, poorly planned, inconsistent, shallow show. Hopefully they take more time with the next season, although thanks to their little deus ex machina, there’s no conflict for a second season. Amon is dead (supposedly – we never see him actually die) and the Avatar has her bending back and the power to restore bending. So what now?

Seriously though, how could would it have been if the second season was Korra journeying with Beifong (and possibly others) to find a way to restore bending? That would have made for a good story.

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